I hesitate to call myself a writer, and I often even hesitate to call myself an aspiring one. “Amateur” even seems too grand a term for me because I feel like other “amateurs” have a better grasp of this whole thing than I do and are way ahead of me.
When my friends call me a writer, I flinch.
It’s a great honor to be considered so by people who know and love you, but it also feels daunting and big, like there are high expectations to meet and big clown shoes to fill, and I only have size 7 feet.
In my head, I feel that I haven’t earned the privilege to be categorized among people like Toni Morrison, Joseph Conrad, Maxine Hong Kingston, Ray Bradbury, JRR Tolkien, Sandra Cisneros, etc., etc., etc. In my heart, I know they all sat where I’m sitting, agonizing over blank notebooks with a pen weighing heavy on their hand, needing to put to paper what makes sense in their own minds but may not translate properly outside of it. In my heart, I know they risked being misunderstood, I know they had moments where they didn’t know if they would make it, I know they had bad first drafts and more than their share of rejections and criticisms—fair or otherwise. The heart may be more deceitful than all else, but sometimes your head’s just as bad.
With this in mind, I’ve been thinking of all the things that I assume writers do that I’m doing wrong and learning to accept that none of it matters. We don’t write for others so much as we write for ourselves, and we don’t write for the finish line so much as we write to discover the adventure that lies on the path to it—whether “it” (the finish line) even exists at all. There are a lot of weird things that I do as an aspiring storyteller that I highly doubt anyone else does (though I’m sure I would be surprised. We are an odd bunch after all), and there are things others do that don’t work for my brain. Whatever the process, what matters is that we do what we must.
So here is a list of amateur advice from a fellow amateur that has been marinating and baking in my brain:
1) Don’t let anyone tell you how or what to write.
I was at lunch with a group of writers and aspiring writers who were all just meeting each other (it was introvert hell, let me be upfront). One of the guys had always written mystery, but he decided he would write romance this time around since there’s money in it. Perhaps he will find his groove and produce a wonderfully written romance novel. But if it were me, and I was writing to sell novels, it would read like a dry and boring piece that I wrote in order to sell novels. It doesn’t help that romance is not a genre I’m actually interested in. It doesn’t excite me or make me feel alive or accomplished. It makes me feel gross actually. Don’t get me wrong, I enjoy a little romance within the big narrative, but I don’t fancy it as the big narrative. For me, I feel alive and accomplished after going on an epic quest, slaying beasts and conquering foes along the way. And it’s likely going to be other adventurers like myself who will enjoy the things I want to write about, so long as I’m honest with my words and myself.
But that being said…
2) Write outside of your comfort zone.
While you know best what you enjoy writing about, don’t be afraid to write about things you don’t know or understand (bonus points if you explore something you don’t agree with). If we all only wrote about comfortable subjects and things we totally get, we wouldn’t have books that touch our souls and make us sing and weep and grow. Stay within your moral boundaries and be true to yourself, but don’t shy away from uncomfortable subjects or situations either. It’s a delicate thing to balance, I know. But writing is about growth and discovery after all. Be forewarned, however, that your characters may not share your moral grounds, and you’ll need to be prepared for that tension and decide which is more important: your beliefs or theirs, your behaviors or theirs. One of you will lose the argument, and both options could have dramatic effects on your story. Whose voice is needed in what you’re doing? I understand it is not easy to walk the line, so give yourself a little grace, and keep putting one foot in front of the other. Baby steps are how we all learned anything after all.
Along the same vein…
3) Find your people.
Your people. Your tribe. Your crew. The ones who may “get” you and your quirks, but definitely the ones who appreciate it. This could be fellow writers or the people you want to take on your adventure (which I guess could also be fellow writers… we were all readers and adventurers first after all). Recently, I’ve been realizing how “compromising” some of my Google search history can look because I’m trying to write about something I don’t know that may be outside my comfort zone. If you judged me based off that alone, your conclusion would likely be that I am a pregnant serial killer who is deeply involved in a cult. Sorry to disappoint, but I’m actually just an office worker with lofty dreams of writing fantasy stories (and I’m most definitely not pregnant). In talking to other researchers, I feel at ease that it is not just me that the CIA/FBI/Interpol have their eyes on, and if we’re ever imprisoned together, we can rest assured we will never be bored. 😉
4) Find/do what you need, no matter how ridiculous or small or crazy it is.
I’ve seen the way people outline their novels, and I am so jealous. It looks so… structured and simple, and it works for them. They have a pattern established, a formula to fill in, and everything just falls into place and clicks for them in their heads.
I can’t do it.
Instead, I write in the most roundabout and convoluted way that would elicit the criticism of being inefficient, and that criticism wouldn’t be wrong.
But you know what?
I’ll share my crazy method so that you can feel better about yours because I’m fairly confident that no one else is this inefficient in their plotting.
I like to interview my characters. Yes, I know there are character profile forms out there that I can fill out with their hobbies and favorite songs, but it’s just not enough to know them on paper or to only know about them. I want to know them. Who they are, how they’ll react to spiders, what happens after they eat spicy food. I’ll ask mundane questions to get to know their personality and mannerisms, and I’ll interview multiple characters together sometimes to see how they interact. But I don’t leave it at just this. I have my protagonist tell me the entire story from beginning to end, and ride along whatever rabbit trail or detour they want to take me on (and sometimes that I take myself on because I do not write from beginning to end. I’ll write the scene I want to write at the time I am sitting down to write because that excitement will translate into the scene itself). And I’ll ask supporting characters to tell me about certain big or small events that I find important within that grand story from their perspective. One thing I am not so great at yet is doing this with my antagonist and actually wanting to do this with my antagonist. I want to hate them so bad sometimes that being in the same room with them is unnerving. But their story is important, too. It also has a place in the larger narrative.
And once I’m satisfied I’ve covered all my bases and have looked at it from enough angles, I’ll get started.
I can’t tell you how successful this is or isn’t because this is one of the first instances where I’m spending so much time and effort, but I can tell you that throughout this process, everything that I’ve attempted so far has clicked in my head, and I feel like I can fill in the details and do the story justice once I really get it going.
Fair warning, though, you can very easily get sick and tired of your characters and story with this because of how much time you spend together. Which is largely why I’m fairly confident no one else is this crazy. 😛
Oh. And I also need to do everything with pen and paper first. My brain thinks differently with a pen than it does with a keyboard. This one I know other people run into, so at least in this, I’m not alone. Tack this onto “inefficient” as well, though. Like I’d just mentioned, I don’t write in order; I write what I feel like writing when I sit down to do it. I’d get lost having to scroll through a Word document and hoping that I’ve put it out of the way enough from the previous scene I wrote or that I pasted it back in the right place. My notebooks have notes all over that a certain scene “continues on page XX” or “continued from page AA,” etc. And THEN I can piece it together easily when I type it out and feel confident that I have things in the right places.
Speaking of pen and paper, here’s another ridiculous quirk I have that I’m convinced is important: I cannot use completely blank notebooks. I find blank pages to be totally intimidating, and I struggle to start and put something on it. It feels judgmental and sterile. Too clean. Untrustworthy.
But it’s more complicated than that. It’s not enough to just have a picture or something in the corner, and it’s most certainly not good enough to just have the same pattern or design on every page.
You can imagine how complicated and difficult it is for me to find a proper notebook! It’s hard to explain what kind of notebook I like, but the best I’ve got is “stained” or watercolored. I usually have a pretty good run with Ellie Claire journals, but even those don’t have everything I want (they have most things, though, so I like them).
My ideal journal:
- Has stained pages that are unique to each page (MOST important – see image)
- Is a thin hardcover
- Lays flat (I will settle for a spiral bound, but I like the ones with a flat binding just a bit more)
I think that’s about it as far as what the non-negotiables of the perfect notebook are for me. But little details change here and there as I discover more notebooks and whatnot.
See? Don’t you feel better that your Type A brain is not as ridiculous as mine? And don’t you feel better knowing your plotting methods are probably not as complicated as mine? But you know what? This all works for me. And if this is what it takes to get me writing and moving forward, then it’s a good method, no matter what it may look like from the outside. I am completely unapologetic about any of this. Don’t ever apologize for being who you are. You do you, friend. No one else can do it better. 🙂
5) Get out of your own way.
We’ve all heard it. “You’re your own worst critic.” It may sound cliché and trite, but you know what, it’s true. You really are the one that is and will be most critical of yourself and your work. There are days I feel like I don’t want to or legitimately can’t write. Whether I’m too full or too empty, some days I just don’t have the energy to transfer thought to paper. I’ve been told to write anyway because if you wait till you feel like it, you’ll never write.
I’m learning to take that advice with a grain of salt.
There is a lot of truth to that statement, but you also know yourself. If you need to discipline yourself to write in order to build good habits, then do it. Just remember that no one needs to see it if you don’t like it, and also remember that you’re writing to develop a discipline. You’re not going to fart rainbows. Allow yourself to have crappy writing because all first drafts suck (sometimes second and third drafts, too), and the sooner we accept it, the better off we’ll be. And don’t be overly critical of yourself or beat yourself up for not wanting to write or for needing to force yourself to write. I don’t want to get out of bed some days, and I don’t feel bad for needing to force myself to do so in order to get to work and make a paycheck to pay for all my complicated notebooks and pretty fountain pens, and I’m not sure if you’ve realized it, but traveling to new and exciting lands can be expensive (BUY ALL THE BOOKS!).
This is in no way a comprehensive list of things to do or not do, or to be or not be (that is, indeed, the question 😉 ) in order to be a good writer, but these are things to keep in mind in order to love what you’re doing and not let anyone convince you otherwise. Writing is for you before it is for anyone else. It doesn’t always “feel good,” but it is rewarding in its own way.
In writing, there is a vulnerability that most don’t realize exists. It’s not safe. It’s not quiet. You are not in control. It is a raging storm, threatening to overthrow your mental stability and challenge everything you’ve been taught and everything you believe to be good and right and true. Writing is an entire ocean trapped within a single, solitary tear. The writer is both slave and master to her words. She can give genesis to them in her mind, but they will do as they please once she does, and she will be as bound to them as they to her.
The road from amateur to writer is fraught with adversity and frustration, and you’re going to want to quit more times than you can count and certainly more times than you’ll care to admit.
But if this is what makes your heart sing and your soul breathe, hold onto it with all your might and then some.
Some days, I need to write more than I want to write. Some days, I have to remind myself that this is the dream that God put in my heart. Some days, I have to remember that writing is how I must worship because it is how I will best worship. When our passion and our talent brings us closer to God than anything else, then this is a gift that He has given us in order to bless and love us that we may, in turn, bless and love Him and work to His glory, and it is a waste to not experience what makes us feel so alive.
I don’t feel like a real writer yet, and maybe I never will. Maybe we never really do. Maybe the journey to becoming one is the whole point.
So, my fellow amateurs, novices, and friends, let’s keep our pens moving and put to page the story that is trying to escape from our hearts through every pore in our body. Let’s write and write and write as though our very breath depends upon each word, each letter that graces the page. Let’s build worlds that will welcome us home with warm tea and a fresh pie when we just need a little me time. Let’s allow the beating of our hearts to be heard through the words and imageries that are coursing and singing through our veins.
Write, writers, and see how we can change the world.